The Tattoosday Book Review - Science Ink

If you’re still recovering from a day of camping out and fighting the crowds for Black Friday holiday gifts, might I suggest one more item for your list?

Science Ink: Tattoos of the Science Obsessed was recently published by Sterling Press and it rates as one of the finer titles on tattoos that I have seen in while. Science Ink is written by Carl Zimmer, a science writer with great credentials and whose blog rates a spot on my blogroll shortlist.

I have been a fan of Carl Zimmer’s Science Tattoo Emporium since 2008, even warranting a mention in a stand-alone post here.

I was excited to hear last year that he was compiling a book on the subject of scientific tattoos, as, unlike a lot of the work in London Tattoos (my last review, which appeared here), the ink is drenched in meaning.

As a storyteller and a writer, I’ll admit to favoring tattoos that have stories and/or specific meaning behind them. Not that I don’t appreciate a fine work of  body art that is beautiful for beauty’s sake. I just find myself more intellectually stimulated by tattoos that pack a narrative punch. This is also why I dig literary tattoos.

All that being said, Zimmer should be commended for compiling a whole slew of scientific ink, and organizing it in such a thoughtful and pleasing way. Chapters are divided up by category (Physics, Chemistry, Astronomy, Earth Sciences, etc.) with photos of the contributors work, along with a paragraph or two devoted to explaining the accompanying pieces. These are not tattoos that resulted from walking in to a shop and picking flash off the wall. Not that there’s anything wrong with that. Rather, we’re treated to tattoos that were clearly thought out and executed with the purpose of connecting to the individuals passion for their intellectual stimuli.


Tattoo purists may look at this book and cringe at the quality of some of the tattoos depicted. But the quality is not the point, and there is a lot of fine work, nonetheless. With a few exceptions, we are not seeing work contributed by tattoo aficionados. Instead, we get a glimpse of tattoos from people that you don’t normally associate with ink: scientists, doctors, university professors, and anthropologists. For that reason, Science Ink succeeds in drawing in the reader to the individual narrative behind the tattoo. What makes someone who is uninked take the leap and go under the needle?

Ultimately, it is the answer to that question that propels the mini-narratives forward and make Science Ink such a compelling read. Above and beyond the appreciation of tattoos, the book speaks to a larger audience, those who are steeped in the sciences and those who don’t consider themselves part of a “tattoo culture”. Ultimately, not everyone who is science-minded gets a tattoo related to their field, but a mathematician may understand someone’s desire to get an interesting equation inked on their forearm more than they would, say, getting a flaming skull or a scattering of cherry blossoms.

The biggest fault I find with Science Ink is not an original one. Marisa over at Needles and Sins voiced the disappointment in her review, as well, that the artists who created the body art are rarely named by the contributors. I always ask Tattoosday contributors to disclose their artists’ names to give credit where credit is due. Occasionally I  meet people who do not recall the names of their artists, but that tends to be a smaller percentage. Zimmer includes a thumbnail “visual index” of contributors. It would be nice, if there is ever a Science Ink II, to include an index of artists, as well. As a saving grace, Zimmer does credit the artists on his website here, but I only discovered that by accident.** I’d imagine, however, that to the bulk of the reading audience, the tattooist’s identity  is not as important and may seem extraneous, but for many it is nice to see credit where credit is due.

All in all, however, Zimmer hits the ball out of the park with a wonderful tattoo-themed product that I fully endorse and recommend.

With the holidays just around the corner, this would make a great gift for the science obsessed person in your life!

**After this posted, Carl Zimmer e-mailed me:

"Thanks! I agree that the artists should get credit. My designer and I put together a list, but a change in schedule prevented the publisher from putting it into the book. We'll be sure to get it into the next printing".

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I can contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattoosday Book Review - London Tattoos

 

Let's eliminate the suspense - London Tattoos is a lovely book, and one of the best tattoo titles I have seen in recent years. I recommend it highly and strongly encourage Tattoosday readers to check it out.

The book is beautifully photographed by Alex MacNaughton. The concept is simple: each subject stands in a full shot at the beginning of their section. There is a paragraph or two composed by the host, describing, in various degrees of detail, their tattoo journeys. A list of tattooist credits follow as footnotes, and then we are treated to several more (at the very least) more detailed shots of the body sections featuring the person's ink.

There is a fine distinction here, that between a close-up of a tattoo, and a close-up of the tapestry on which the tattoo is marked. Its a fine line of art that McNaughton executes brillianty. We catch glimpses of work, we see sections in great detail, but we are rarely confronted by an image that is a sterile full-frame of tattoo.

I just love the way that this photo narrative unfolds. Especially remarkable are the subjects who appear mostly, if not fully, covered. A turn of the page strips layers off of the individuals and we are treated to the artistic treasures that lie beneath. It dazzles the imagination, the unveiling of a person who appears uninked, only to reveal a breath-taking display of coverage that illuminates that this person spent hours upon hours under the needle.

It is brilliantly executed and I recommend it fully, all 304 pages with 700 color illustrations. Alex MacNaughton is also the author of London Street Art, London Street Art 2 and London Street Art Anthology. I encourage Tattoosday readers to buy London Tattoos - the holidays are just around the corner - and, at the very least, visit MacNaughton's website here to get a bigger taste of the work inside this wonderful book.

This entry is ©2011 Tattoosday. Photographs are ©2011 Alex MacNaughton.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattoosday Book Review - Tattoo Sketchbook: Since 1966

We like to review books occasionally here on Tattoosday and wanted to say a little bit about Jim Watson's Tattoo Sketchbook, published earlier this year by ArtKultre, an imprint of Wolfgang Publications.

There's nothing fancy here, just 95 pages of solid tattoo flash by Jim Watson, who came up in the tattoo business long before it was a "respectable" multi-billion dollar industry.

Having cut his teeth in the legendary Cliff Raven's shop in Chicago in the late 1960s, Watson moved to his first shop in Denver, eventually landing in Phoenix, Arizona, where he owns Artistic Skin Designs and where, in 1991, he co-founded Superior Tattoo Equipment.

If you picked this up in a bookstore, it might not be on the top of your list as the tattoo book to buy, as it has a limited appeal to the general reader. But it seems like it would be an invaluable reference to the developing artist who is studying the art of tattoo. The flash is all crisply classic in its execution, and would fit right in with any tattoo artist's reference library.

Wolfgang Publications has a whole series of books that fit this category geared more to the mechanical side of tattooing. This volume fits in nicely to that genre and is a excellent snapshot of the sketch portfolio of the "classic" tattoo artist.

This entry is ©2011 Tattoosday.


If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattoosday Book Review: Tattooed by the Family Business

I’ll cut right to the chase: if you’re going to buy one tattoo book this spring, make sure it’s Tattooed by The Family Business, a feast for the eyes and a new standard by which all tattoo photography books should be judged.

Simply stated, this book is gorgeous, heavy on high-quality photography, focusing on the wonderful body art created by Mo Coppoletta and his crew of talented tattooists at The Family Business Tattoo Shop, a London-based establishment that has been producing breath-taking work since 2003.

If you're not familiar with Copoletta, or his studio, the book gives readers a peek inside the world of the Family Business. But aside from a one page foreword, and a couple pages of introduction, this lovely book is light on text, and heavy on images from photographers Fredi Marcarini and Chris Terry.

Image copyright: Fredi Marcarini and Chris Terry
Taken from Tattooed by the Family Business (Pavilion)

The two hundred plus pages are filled with lush images of life in the shop and, more importantly, the high quality work created by the artists. Divided up into five sections, titled "The Family," "The Business," "The Art," "The Work," and "The Patrons," this is not just about Coppoletta and his own work. The reader is also introduced to the whole family: Kanae, Mie Satou, Dominique Holmes, Diego Brandini, and Diego Azaldegui.

Some may draw comparisons to the books the American tattoo artist Kat Von D, which I have favorably reviewed in the past on this site. Tattooed by the Family Business is in a different league. It is as you would expect, Von D's books are busy and filled with words and images; whereas Coppoletta's book exudes a classiness to which other artists can only aspire.

In fact, an online review hardly does it justice. Photography dominates and, whereas the tattoo, or the process of tattooing is always at hand, the beauty of the book also lies in its images. Ultimately, I believe, it's what most serious artists want to see in a tattoo book. Although some may criticize that, in some of the photos, the details of the tattoos themselves are lost in the framing of the photograph, I would argue that these images are just as compelling as the close-ups, as one sees the way the tattoos are placed, and how they flow along the lines of the human form.

Image copyright: Fredi Marcarini and Chris Terry
Taken from Tattooed by the Family Business (Pavilion)

Image copyright: Fredi Marcarini and Chris Terry
Taken from Tattooed by the Family Business (Pavilion)

One of the neat features within this volume are several sketches on pages designed to resemble transparencies, where are laid over images of the tattoos themselves. The reader is treated to the full-page two-dimension image from which the artist drew his inspiration, and then can compare it to the end result.

Here on Tattoosday, where most of the tattoos we see are from New York-based artists, I have, in several years, only had the pleasure of encountering Coppoletta's work once, documented here. Therefore, getting to see a more expansive look at his work, as well as that of other artists in The Family Business, is a real pleasure.

Tattooed by the Family Business is a veritable feast. I keep returning to it, marveling at the craftsmanship and beauty of the tattoos. I highly recommend it to artists and aficionados alike. The book is a work of art in and of itself, and the fact that it so beautifully and simply celebrates the art makes it a must-read, a must-relish, and a must-have for every tattoo library.

The Tattoosday Book Review: The Word Made Flesh

If you're looking for an awesome gift for an ink-loving special someone this holiday season, and you can't afford a budget-buster like Marisa Kakoulas' Black & Grey Tattoo, I'd strongly recommend The Word Made Flesh: Literary Tattoos from Bookworms Worldwide.

As a lover of both literature and tattoos, The Word Made Flesh is right up my alley and, judging by the long-standing interest in sites like Contrariwise, should be an enjoyable read for many.

Last year, it seems, when I first posted (here) about Eve Talmadge's call for submissions, I was a bit jealous in a why-didn't-I-think-of-doing-that sort of way. But I quickly got over the inkblogger envy and waited with anticipation to see how this would turn out.

The answer: pretty darn good.

The Word Made Flesh, as the subtitle describes, juxtaposes photos of tattoos of a literary flavor, with blurbs from the contributors. There is poetry and prose, as well as more symbolic imagery to represent specific themes.

Compiled by editors Eve Talmadge and Justin Taylor, the reader is treated to a nice range of work, with a handy appendix which gives, when possible, credit to the artists and/or shops where the tattoos were inked.

I wondered, when starting the book, if I would see any tattoos that had appeared on Tattoosday. Sure enough, page 117 features a pair of alphabetic ankle tattoos, one of which appeared in this past year's Tattooed Poet's Project, here. To counteract that, there are two subjects who declined to participate in the same project.

The range of photos and stories is done quite well. We also get a snapshot of Shelley Jackson's Skin Project, and a lovely piece belonging to Katherine Barthelme, accompanied by an apropos story by her father, the late Donald Barthelme. Plus, amazing work like this:

©2010 Eva Talmadge & Justin Taylor

There is something for everyone here, unless of course, you're a barbarian and have never read a book in your life.

I heartily recommend this title and at a list price of  $14.99, it won't break the bank.

There's a slide show here, over at The Daily Beast.

You can read and see more, as well as hear how to submit for a possible sequel, at www.tattoolit.com. I also recommend visiting contrariwise.com, as well as checking out the Tattooed Poets Project index, which links all the tattooed poets who have appeared here the last two years.

You can buy the book here:

And, as for what's next from the editors, a recent email from the editor's says it all:

"I'm happy to announce that we are now collecting images of music-related tattoos for our next book. Song lyrics, band logos, record labels, musician portraits, you name it -- if it's in your skin and has to do with a musician, song or band, we want to put it in a book. Pass the word, tell your friends. Here's the fine print:

THE WORDS TO EVERY SONG: Music Tattoos from Around the Globe (working title, suggestions welcome), edited by Eva Talmadge.

Submissions now open for high-quality photographs of all kinds of music related tattoo work: band logos, song lyrics, record labels, musician portraits -- if it's a tattoo inspired by music and it's on your body, we want to see it!

We're looking for a wide range of genres and eras -- from classical to rock'n'roll to hip hop, punk rock, indie and soul -- if you ever loved a song or a band or a musician so much you went to a tattoo shop and made your devotion permanent, we want to know about it!

As with THE WORD MADE FLESH, we don't want just the images. We also want a few words from you about why you got your tattoo, what that music means or has meant to you, and any anecdotes involved. How much (or how little) you choose to say about your tattoo is up to you, but a paragraph or two should do the trick.

And of course please do provide us with tattoo artist/shop credit, photographer credit, your name or pseudonym, the city and state or country where you live, and the name of the band or song or composer your tattoo refers to (even if it's obvious).

Deadline for the first round is 12/31

Please send clear digital images of the highest quality possible to tattoolit@gmail.com. Images should be around 2000 pixels across, or a minimum 300 dpi at 5 inches wide, but if you're not sure about all the technical stuff, just set your camera to its highest resolution and send the best photo you can. Text should be included in the body of the email, not as an attached document. Also be sure to include one or more pieces of contact information, so we can let you know if you’re going to be in the book.

And finally, we are indeed still collecting literary tattoos for the tumblr blog, http://tattoolit.com. If you have a literary tattoo and want the world to see it, please do e-mail it to us at tattoolit@gmail.com, or submit it directly (as an image, not text) to http://tattoolit.com.

And, of course, I'd be remiss if I didn't direct people here and here, the tags that link all the literary tattoos that have appeared here on Tattoosday.